Posted 20 hours ago

Humans of New York (Humans of New York, 1)

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It is not, Bourke-White and Caldwell seem to say, enough simply to see the faces of one’s destitute countrymen. Each image portrays emotion with a limitation of word format letting the reader express his/her interpretation of the image. The short and notionally revealing quotes that accompany each image “grew longer and longer,” Stanton explains, “until eventually I was spending fifteen to twenty minutes interviewing each person I photographed. This is people watching with words, and thanks to my friend Dawn for that description because I'm stealing it and running with it!

Finance is provided by PayPal Credit (a trading name of PayPal UK Ltd, Whittaker House, Whittaker Avenue, Richmond-Upon-Thames, Surrey, United Kingdom, TW9 1EH). A similar backdrop in the background is the streets of New York City entailing back Stanton purpose to exhaustive a catalog of the city’s inhabitants. So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.My favorite story depicts a young girl walking through her hurricane-damaged neighborhood with hat, flowered raingear, colorful boots and her trick or treat Halloween pumpkin.

In this set of photographs, the street background is blurred which is repeatedly shown in HONY and to focus solely on each passion — on upper left corner, captioned “ Artemis” a women proudly holding the bear head, while at the bottom a man who’s passionate towards edgy European vibes and a women intense towards helping the homeless with necessities. Too many beautiful pictures are broken awkwardly over the gutter, destroying their impact, and the squat, vertical trim is all wrong for showing photographs.During the throes of the Great Depression, the novelist Erskine Caldwell and the photographer Margaret Bourke-White travelled together through the rural South, hoping to gather impressions from the lives of black and white tenant farmers. It was seriously impossible to put down, and I think I nearly took a picture of everything because I didn’t want to forget anything. Rather than a overall theme, Stanton conveys important messages through his photo and caption choices, which indicate the uniqueness of each individual, as well as the co-existence of humanity as a whole.

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